My Father Like a River includes two short stories: the title story and the longer The Trusty. The Trusty was also published in Rash’s short story collection Nothing Gold Can Stay. It’s as good now as it was when I read Nothing Gold Can Stay, but I’m disappointed to see a story I already own and have read. As is usually the case with Rash, both stories take place in the mountains of NC.Continue reading “Country Noir: My Father Like a River by Ron Rash”
When I say “country noir” in my blog subtitle, I am first and foremost talking about stories of my people—rural hillbillies from southern Appalachia. But I am not just talking about that. I can, have, and will read country noir set in the Ozarks, in the Texas Piney Woods, in the Rust Belt. I have always contended those stories, and books telling versions of them, existed outside the U.S. as well. I just haven’t known where to look. I have also long contended that you can set a country noir in the city. With Rob Parker’s Far from the Tree, I found a damn fine example of both.
The small town of Warrington, smack dab between Liverpool and Manchester in northern England, is roiled when a trench containing 27 bodies is discovered in a local forest. Lead investigator Brenden Foley’s world is further rocked when he makes the first identification—his nephew.Continue reading “Fiction: Far from the Tree by Rob Parker, narrated by Warren Brown”
It is rare that a book is considerate enough to explain itself in one pithy paragraph. It is ever rarer for it to be appropriate to start a review by quoting the last paragraph of a book. But both are true for The Tilted World.
Continue reading “Country Noir: The Tilted World by Tom Franklin and Beth Ann Fennelly”
This story is a story with murder and moonshine, sandbagging and saboteurs, dynamite and deluge. A ruthless husband, a troubled uncle, a dangerous flapper, a loyal partner. A woman, married to the wrong husband, who died a little every day. A man who felt invisible.
But most of all, this is a love story. This is the story of how we became a family.
Last week I talked about the independent country songs that have been certified gold over the last few years. And things aren’t slowing down: since I published that post a week ago, I learned that Keep the Wolves Away by Uncle Lucius has been certified gold. (If hits on a blog post are any guide, I shouldn’t have been surprised.) Even more impressive than the songs certified gold, independent country artists are getting songs certified platinum. Leading the way are Tyler Childers and Cody Jinks. (S.O.B. by Nathaniel Rateliff & the Night Sweats was also certified platinum, but I already featured it here and it is really country-adjacent.)Continue reading “Music Monday: Solid Platinum Edition”
Back when I first really started getting into independent country in the late aughts, most times I looked up an act’s touring schedule I found they didn’t make it out of Texas, Oklahoma, and maybe Arkansas. Didn’t do me much good in North Carolina, but at least the good people of Texas were keeping the lights on for these folks. And they still are, but the rise of independent country over the last decade has been extraordinary. Country radio is still putridly awful on a historic level, but radio matters less than it ever did.
He made us wait so long, and we really are not talking enough about Chris Stapleton’s new album. It is easy to take for granted the sheer quality of his admittedly limited output. But the list of artists with four albums in a row that strong is pretty much limited to the Turnpike Troubadours.
As the pandemic ever so slowly begins to recede, we could all stand to move into 2021 with a renewed commitment to the things we hold most dear. Less a New Normal than an Old Normal.
Let’s start with a little traditional music.
I posted on Facebook a couple times over the last few weeks about the mystery behind the man with the trail name Mostly Harmless who was found dead in his tent. Vance John Rodriguez went into the woods to find himself. It didn’t save him. I’ve been reading Horace Kephart’s Camping and Woodcraft. Going into the woods did save Kephart. Black Heart on the Appalachian Trail is the story of Taz Chavis finding himself. Recently released from prison, and after traveling to his hometown to settle his father’s estate, Taz sets off on a through hike of the Appalachian Trail to leave his life in the gutter behind.
In the vast wilderness of the Appalachian Trail, three hikers are searching for answers. Taz Chavis, just released from prison, sees the thru-hike as his path to salvation and a way to distance himself from a toxic relationship. Simone Decker, a young scientist with a dark secret, is desperate to quell her demons. Richard Nelson, a Blackfoot Indian, seeks a final adventure before taking over the family business back home. As they battle hunger, thirst, and loneliness, and traverse the rugged terrain, their paths begin to intersect, and it soon becomes clear that surviving the elements may be the least of their concerns. Hikers are dying along the trail, their broken bodies splayed on the rocks below. Are these falls accidental, the result of carelessness, or is something more sinister at work?
Snyder grew up not far from me—just one county to the west, and even closer to the NC-SC line (albeit long before I was a twinkle in my mama’s eye)—so my interest was immediate and likely fulfilled regardless of quality. But, mercifully, Hill of Beans isn’t lacking in any quality.
Snyder’s family wasn’t squalidly impoverished or even dirt-floor-poor, just the kind of poor just about everyone was back then before men like Snyder went out and created a whole lot of wealth that raised all boats. He had the kind of early life a lot of us had back then—a stern father, an awesome uncle, a hateful old aunt. He even, like me, left for a school in Chicago, although I made a much, much better decision.
A book like City of Hate might not have normally caught my eye, but author Timothy Miller offered to send me a copy. I’m glad I jumped on the offer. City of Hate is “city noir” that imports much of what I love about country noir. The setting and the backdrop are inspired, even if the execution wasn’t perfectly to my liking.
I lived in Houston during my swing through Texas. One of Houston’s nicknames is the “Big Heart,” earned by the open arms its residents met Hurricane Katrina victims. You could still see “I ♥ Houston” bumper stickers around New Orleans when I was traveling there on a regular basis for work. Dallas has a nickname of its own that highlights the inevitability of comparisons between the cities and their relative merits: City of Hate. The moniker is inextricably tied to JFK’s Dallas assassination. Which might seem a little unfair. Lee Harvey Oswald only lived in Dallas for a year. And, whatever conspiracy you might embrace, the bulk of the city certainly didn’t participate in the assassination. But the stage was already set for the moniker to stick, not by the dull statistic that Nixon won Dallas by a bigger margin than any other city (as remarkable as the existence of such a stat is today) but by a made-for-TV moment where vicious, pearled Dallas society women frothed (read: spit) at Lyndon and Ladybird John in front of a national audience.