Country Noir: Panther Gap by James McLaughlin

James McLaughlin’s debut novel Bearskin was one of my favorite books from a few years ago, so of course I jumped on his follow-up Panther Gap.

Siblings Bowman and Summer were raised by their father and two uncles on a remote Colorado ranch. They react differently to his radical teachings and the confusions of adolescence. As young adults, they become estranged but are brought back together in their thirties by the prospect of an illegal and potentially dangerous inheritance from their grandfather. They must ultimately reconcile with each other and their past in order to defeat ruthless criminal forces trying to extort the inheritance.

Country Noir: It Dies With You by Scott Blackburn

For nearly a decade, twenty-nine-year-old Hudson Miller has made his living in the boxing ring, but a post-fight brawl threatens to derail his career. Desperate for money, Hudson takes a gig as a bouncer at a dive bar. That’s when life delivers him another hook to the jaw: his estranged father, Leland, has been murdered in what appears to be a robbery-gone-bad at his salvage yard, Miller’s Pull-a-Part.

That is NOT the North Carolina Piedmont

Country Noir: The Sweet Goodbye by Ron Corbett

The mountains of North Carolina are my favorite country noir setting for the simple reason that they are home, and there is a rich tradition of country noir set in the Ozarks that we can probably credit to Daniel Woodrell, but it is always nice to get the chance to visit someplace new via fiction.  The Sweet Goodbye is set in the North Maine Woods in the vast, empty, northernmost reaches of the contiguous states.

Short Fiction: Poachers by Tom Franklin

I have been slacking on my country noir reading here lately.  I did find the time to finally crack open Tom Franklin’s short story collection Poachers, which includes the title story and nine other works of short fiction country noir.  Each is set in South Alabama.

Film: Cherry

Successfully working in the overlap between or among genres is easier said than done, but the potential reward matches the risk.  As otherwise formulaic as they are, the Marvel movies make great hay combining the superhero genre with others.  There is no dispositive reason country noir can’t be combined with other genres.  But, while there are several notable examples of successfully mixing speculative elements into country noir yarns, even obviously adjacent genres like thriller and mystery have rarely been effectively paired with country noir.  If you called me up (as an obvious expert on country noir), and asked if you could pair country noir with the drug novel?  Absolutely.  With the war novel?  Sure.  With romance?  Um, well…  But that is exactly what Nico Walker does with Cherry, adapted for release on Apple TV+.  He doesn’t just pair a country noir tale with romance—he pairs it was all three give examples.

Country Noir: Raylan: A Novel by Elmore Leonard

Elmore Leonard has been inordinately successful getting his books adapted to the screen.  Justified, the TV show based on the character Deputy U.S. Marshal Raylan Givens from Pronto, Riding the Rap, and the short story Fire in the Hole (the last adapted for the Justified pilot), is as good as any Leonard adaption.  Seeing his characters with such incredible life breathed into him had to have spurred Leonard return to Givens with his novel Raylan (which was to be his last).

Short Review Roundup: Elmore Leonard Edition

I have been on a bit of an Elmore Leonard kick here lately.  His work has everything I like about country noir, but in an easily digestible, popcorn style and form.  My gateway to Elmore Leonard was the great Justified (which I still need to buy on blu-ray, rewatch, and blog about extensively).  I was admittedly thrown off by my first Elmore Leonard novel, Raylan.  Raylan suffered from covering ground already covered by the show.  But it really suffered from eastern Kentucky not being Leonard’s turf.  His work is always better in Florida, I think.

Elmore Leonard, Miami Bookfair International, 1989 (Wikimedia Commons)

Country Noir: Razorblade Tears by S.A. Cosby

“This is who I am.  I can’t change.  I don’t want to, really.  But for once I’m gonna put this devil inside me to good use.”

S.A. Cosby impressed me with Blacktop Wasteland.  He absolutely blew me away with Razorblade Tears.

A killer premise is always a good start.  Ike Randolph and Buddy Lee are plenty different.  Ike is black; Buddy Lee is white.  Ike built a business from the ground up and employs crews of workers; Buddy Lee’s work history is checkered at best.  Ike is a comfortable business and home owner; Buddy Lee lives in a dilapidated single-wide trailer with a window unit that pushes around lukewarm air.  Ike is happily married; Buddy Lee hasn’t been in a serious relationship since his son’s mom left him.  But they have a few things in common too.  Both did time in prison.  Both have ample capacity to deal out violence.  Neither could accept their son’s homosexuality.  Their sons who were married to each other.  Who were just murdered.

To paraphrase Solomon Kane, men will die for that.

Country Noir: Blacktop Wasteland by S.A. Cosby

When you really love a subgenre, you don’t want to read the same thing over and over again, but you do want to see tweaks and new takes on your cherished tropes.  Blacktop Wasteland falls right square in the country noir subgenre.  It distinguishes itself from the field not just with execution but with a protagonist who is a wheelman (and all the car chases the choice suggests) and African-American.

1971 Plymouth Duster pic by Kevauto

Country Noir: My Father Like a River by Ron Rash

My Father Like a River includes two short stories: the title story and the longer The Trusty.  The Trusty was also published in Rash’s short story collection Nothing Gold Can Stay.  It’s as good now as it was when I read Nothing Gold Can Stay, but I’m disappointed to see a story I already own and have read.  As is usually the case with Rash, both stories take place in the mountains of NC.