Ron Rash writes about my native soil—western North Carolina—and Lord does he write them well. The Tuckasegee winds through my memories of college like it winds through Cullowhee (Their Ancient, Glittering Eyes). I grew up hearing stories about a kid from Shelby that was better than Michael Jordan ever was and threw it all away for drugs (Overtime). Where I grew up, you knew the drug dealers, and you knew their daddies (Deep Gap).
The final question of Blackberries in June has kept me up late at nights. Chemistry, Last Rite, and Cold Harbor all address the (emotional) pain of death from a different perspective. Chemistry, Last Rite, and Blackberries in June are powerful looks at family. Not Waving But Drowning and Deep Gap expose the awfulness of that which you care most about slowly drifting form your grasp. Blackberries in June, Overtime, The Projectionist’s Wife, and Deep Gap show a deep bitterness that runs through a downtrodden people. Honesty and Pemberton’s wife offer a window into the hatred and contempt with which outsiders view highlanders. Speckled Trout cuts deep.